since slice of life, his last ep release on moon harbour, dan drastic has been anything but idle.hes released on luna records and rrygular and contributed several tracks to the moon harbour compilations ten years of moonharbour and moon harbour joints vol. 2. since october 2011 he has been taking turns with luna city express at hosting the moon harbour radio show and is still an essential part of the moon harbour labelflights at the leipzig distillery. he is ringing in 2012 with an eclectic ep. the title track,noodle stories,as well as the track lospollos hermanos,are perfect for the time between warmup and peak in the club: they are deep but have more thanenough energy to get the dance floor moving. martin buttrich takes a more minimal approach in his remix ofnoodle stories,transforming the track into a subtle techhouse stomper.with fish fingers and custard, dandrastic shows his rave side. the groove of the track is dense and driving and reaches its climax through an utterlyeffective chord sequence. free download voucher for all vinyl tracks incl. in the first 500 copies!

volta is one of the most sought after producers in russia. one of the newest members to the balance music groups family and he brings versatility like no other producer out there. his productions go in every direction from cosmic disco to deep techno. he is also known as isaev and his other alias common people under the bal-ance alliance anchor. this young producer has set the course for the next generation of future producers. not only is he a producer but his live sets are second to none, and we are glad to have him in the family. the first song is empire times which is a throwback to the early nineties classic new york signature four on the floor sound with fuel injected synths and a great dance floor peak time get down groove. the second song is curious dreams this song has so many different elements, it is by far one of my favorites of the ep, it has an 80&#8223,,,s sound that crosses many different genres of music from disco to classic electro with a splash of house. the third song is called purple train another fantastic take on his production skills with this massive deep techno heater that will get the crowd moving with its deep chords and its lush drum programming makes it dance floor friendly for sure..then last but not least we have song four called ruby nights this song brings a minimal broken beat sound that has the elements of house with a twist. we at fi-nale are happy to have volta cab as a member and we want to share his gifts with you. we would like to thank you for your loving support. stay true to the roots. love you

persnickety sounds is here to funk-ti-fy your world!in this era of nu-disco, space disco, cosmic disco, disco house and shit, there must be a beacon of quality to light the way and lead the faithful back to a place where good grooves matter and realness is holding court.let the labels fall and just get it movin.

human woman is the new signing on hfn music, made up of two very promising artists from iceland, gisli galdur (aka galdur) of prolifi c icelandic band trabant, and producer jón atli helgason (aka sexy lazer). coming together in the studio the pair have forged a fantastic fusion of modern electronic pop, with their debut single, ‚delusional‘. the ep release, which will be accompanied by a music video, serves as a teaser for the upcoming debut album, which is planned for spring 2012. taking influences right across the board, the duo have cooked up a sensual, catchy indie-dance track that’s pleasingly reminiscent of the 80s, yet carries a great modern sheen thanks to the production skills of human woman. cinematic, feel-good music for travelling, for friends, for living! denmark‘s wonder kid kasper bjørke is fi rst to get his hands on ‚delusional‘, introducing a straighter groove which leans more towards the slow-housedisco fraternity in this slow-cooking remix. berlin‘s vincenzo then takes it even more cosmic with a bass heavy club mix that maintains the slow tempo yet elevates us to a more hypnotic plain. clean, pure elements greet us in this luxury remix from the emotive house master. zev from wolf & lamb then has his say with his ‚brooklyn beatdown mix‘, breaking up the beats and tripping things out with some real old-school new york vibes.

giueseppe cennamo, head honcho of carillon records and a true gentleman from naples, returns to desolat with 4 inimitable tracks. let your love flow with its infectious minimal groove and mantra-like sample repetition, stomping >dont move<, bass heavy >marimba< which was one of loco dice secret weapons for a while now, and a stumbling >dance till tomorrow< with its spooky shouts – here we have 4 inimitable dancefloor tracks on coloured 12 inch with a label artwork by samitoon

schon viel wurde darüber spekuliert, von genau welchem dorf rich denn eigentlich komme. lauscht man seinen neusten produktionen, drängen sich unwillkürlich mediterrane assoziationen auf: seichte gitarrenklänge werden von der warmen abendbrise herüber getragen, als die betörende >senorita rita< mit temperamentvoll wiegendem hüften vorüber schlendert. ihr südländischer charme bezaubert auch die trompeter, deren leidenschaftliches spiel in >el chicacabra< schwerelos über feurigen rhythmen und waberndem bassdruck zu schweben scheint. und so ist die fiesta bereits voll im gange, als acker-matador mollono.bass die plaza betritt. mit >mochacho & chicacabra< gelingt es ihm, die ohnehin schon euphorische stimmung nochmals anzuheizen, indem er seinen unverwechselbaren groove mit fiedler- und trompeteneinlagen vertwistet

7 year old spaniard alberto pascual is the latest techno talent to be welcomed into the plus 8 fold with vertigo, his debut ep for the label. a skilled dj and live performer, pascual has been producing since 2004, with over 30 releases to his name, all of which pursue a direct and powerful techno style. its much the same on vertigo, the title track of this ep which hits loopy depths immediately. dramatic fx, crunchy hats and tension mounting hisses fill out the spaces between the beats, but the militant, marching groove never wavers. truchas rancias is more reserved: economical arrangements characterise the techno eeriness this time, forever hinting something is just around the corner but never quite showing you. final vinyl cut continuous learning is more unhinged, with swirling synths, dripping water sounds and shadowy voice sounds all coming together like classic plus 8 weaponry.

one year ago digitaline has released raouls very first release. it has been one of their most successful eps so far and both tracks instantly found their audience and brought raoul onto the main floors of the entire world, where it still stands confortably one year later. so what better than to celebrate one year of the label and welcome digitaline back home? same format: two tracks of deep techno, fat grooves and aerial melodies made for the dance floor. almost made on the dance floor. true! digitaline’s sound is always very inspired by their live performances and with those two tracks the boys wonderfully managed to transpose the best of their live skills, energy and dynamic. before finally being released here, both tracks have been played live on many floors throughout 2011, adjusted slowly set after set to touch every soul listening. a-side neon is a massive groove infecting the entire track through long breaks, while synth strings generate waves of tension in the piece. b-side comet is build around a big round bassline and concret noises that give the track its organic motion. the melodies of the track seem to come out of a fairy tale, dreamy arpeggios that defy the laws of gravity.

martin landskys outstanding form continues with his latest release on poker flat recordings–his first outing on steve bugs label since his stunning contribution to the‚jack is back ep earlier this year. with over 10 years of association with the label, landsky is a poker flat mainstay - and with this release, its not hard to see why.the composer is an atmospheric tech-house work out that kicks off with a tight and funky groove, and then expands into an off-kilter dancefloor bomb, with nagging synth lines weaving their way through the taut, finely- tuned production. on the flip,moodmusic main-man sasse adds a dubbier take on the track, pushing the drums up in the mix and teasing out the acidic riffs to full effect. expertly building the tension, the track resolves itself in an epic breakdown.

those guys drives us crazy! groove at its best! go ltd!

played and supported by samuel l session,angel molina,froward strategy group,norman nodge,max m, mattias fridell,ness,dave ellesmere,paul boex,bryan zentz,xpansul,bcr boys,88uw and more. tom bass is an alias, which is hidden behind an artist already established on the international scene. attic music is a label (vinyl only) who now has his own style well defined, it can afford to make records also different and special as it was the last vinyl. high quality! here we return in the classic style of attic music. this new artist shows two tracks, one on each side. 313 is a classic hypnotic techno. a continuous and relentless rhythm. never heavy and aggressive. how to travel in a train, overcome numerous galleries, sounds that rise and fall.human voices that come and go. dont worry you just closed your eyes! suoni profondi has a syncopated rhythm. the sound is deep. from mid-track sample voice makes everything more harmonious and full of groove. psychedelic and dreamy atmosphere. absolutely its for fans of deep techno sound, on vinyl!

this is one release you wont get over in a hurry. bucies deep n defiant house lick get over it, picked up by foliage records from the ever burgeoning club scene of south africa, is seriously cultured stuff. a rich blend of soulful groove, vocals and lyrics, get over it is destined for long, long life on the dancefloor.

for this 2nd release,we give you the opportunity to grab 5 fantastic trax done by nicholas, new incarnation as soul systemthe brains behind the no more hits imprint is back with one of his biggest 12inch to date ! the ep opens with never gonna be the same,an exquisitely produced track, full of depth,its a melting pot full of sultry vocals,soulful disco samples and an irresistible groove on a2, we get the wonderfull & lushy keep on giving,it sounds to us like a 90s lost deep house classic workout with crisp kicks and pulsing synths & bass.and then on a3 soul beats is an old shool 90s house nugget too that result in guaranteed dancefloor mayhem! b1 comes up with one of the best track hes ever done to us (theme from) soul system, think proto - techno, man parrish, it sounds like an hybrid between hip – hop & electro, killer!and to end on b2, we are again back in the 90s. >everything must change< moves the body on a deeper level with chugging some solid house grooves & some syncopated beats. for anyone who likes deep,analogue synth heavy groove, moodymann, theo parrish, mcde... this ep is clearly for you.

the londinium ep is the latest release on uzuri recordings and welcomes chicago skyway back to the fold. not that hes been away too long, having produced a full 12 release and contributed to the from chicago turin amsterdam & dublin with love ep just last year. we also welcome hakim murphy to the label – with his credentials it was only a matter of time before our paths crossed!as the title suggests, this release was inspired, conceptually at least, by our nations capital, and its apparent that sean has spent quite enough time here to get the gist of the place, with the b-side tracks entitled traffic and noise, respectively. im sure he loves it here, really.musically, he keeps it closer to his windy city heart – very clearly reflecting his roots, in fact. as a dj and club promoter in mid 90s chicago, sean frequently shared the decks with some of the citys biggest talents at that time – cajmere, gene farris and spencer kinsey (gemini) among them, and one could say that theres an audible relief flavour to a-side, london streets, with its stripped-back, hypnotic stomp. its fitting that hakim murphy remixes the track, coming from similar roots within chicagos scene, and his own reworking retains the drawn-out essence of the original but brings a whole new hips-and-shoulders groove to the track.

this ep represents a landmark on nice cats history as fiat 600 cuts a deep slice of musical history on chileans underground scene, since >the pinochet boys< , back in the 80s where miguel conejeros started his unique approach to groove making as the brains of this legendary art-punk band ( think glaxo babies meets los angeles negros) and throughout his oblique jungle-drums and bass excursion in the nineties this national treasure always knows how to deliver the unexpected and leave a sweet aftertaste. here are six offbeat dance gems , including his reworking of villalobos-los updatess >miss u so<. we at nice cat try to keep it cool but , if truth needs to be told , we are gleaming with pride. nice cat 05 . all tracks and music by miguel conejeros except a3 ( ricardo villalobos / jorge gonzález) and b2 ( carlos vergara-miguel conejeros). artwork by yvonne blanco

highly recommended! marieu comes back with an amazing solo e.p. on his own label enlightened wax after the worldwide success of his first work, heavily played by the most appreciated underground djs. as usual, this record has been written, mixed and produced only on dusty machines and recorded on juicy magnetic tape. the opening track, >ancient times< is a capturnig fat deep house track with a subtle female chant and space-station pads a2, >heat eninges< is build on an heavy ground shaking bass, a wagging latin piano riff. big claps, and sharp cymbals. funky and relentless, its just an essential choice for every swingin dj. on side b,>radiant< develops on a solid bass drum a filtered house groove making a breach to a charming jazzy piano and a blues voice. a complete feeding for every hungry dancefloor b2, >spectrum<begins with a dark hypnotizing groove enlightened in the middle of the track by an uplifting motorcity pad. striking and suggestive.

on brothers in loves first release, max k. gets right down to business introducing himself and this family project: booming kick drums, thumping toms side by side with sharp hi-hats and staccato claps. machine grooves with sounds as raw as the musical approach of the artist. >losing your cool< builds on a massive kick drum, with a tom groove shuffling the track. it develops into a late summer bloom, which is over as fast as this years berlin summer was – with piercing percussion to remind you that winter is already here! >overdrive<, the first track on the flip, starts as a heavy slow groover with thumping kick, crashing snare and acidic synth lines until a punishing hook enters knocking you upside the head. the second track on the b-side, >indulgence< comes disguised as a stepper with a raw, pulsating analog bass line, but reaches its apex with a whirling synth lead on top of a vocal that could never be classified as your ordinary preachapella.

a blend of dubstep and hip hop

second installment for par wax. this time the series continues with label manager george paar delivering two original tracks destined for the underground techno arena. molecula 5312 is a track in itself the source for this record. the number sequence used in the title of this track represent s the combination a cyclist uses to obtain a hard cadence. thus this track delivers a cadence that is continuous and solid just like two pistons delivering force evenly. damien schneider s remix is a track that has an intricate groove that will make an instant bond with the listener and destroy any intelligent dance floor to pieces. espectroscopia the second original track in this record flirts with the astros, the unknown space that is above us. lastly m_patcher s edit is a unique piece of music directed to the experimental minimal and somewhat the unexpected. truly a track that flirts with strokes of sonic waves. the rest is for you to listen and judge with your own ears. preview. including remix by damien scheneider + edit by m_patcher.

** only 1 copy per customer **
ltd clear vinyl edition... special series by phil weels! only vinyl release.

the tracks blend the best of booth producers, rachmads detroit influence shaped with lauxs dynamic style. the title track viking, is led by a synth that sweeps in an almost hyperventilating rhythm that raising the track with a series of industrial ticks and clicks that flavour the german, dutch and detroit mix. a dark bassline leads the track into its climax where glitchy synths squeak and stretch before the track drops. carlos is a track that bounces with groove. morse-like rhythmic bleeps carry the track cementing the individuality that is created in the ep. awash with sweeping sounds, the track gains a smoother feeling of deep techno demostrating their delicacy. 7tine is a juggernaut with a dark, heavy rhythm, showing the industrial power of the pairs production. flanged distortion scratching like fingernails give the track a tense edge, while simple yet powerful synths steer the ep into an eerie conclusion.

big release on superfancy, the label with the eyes shortly before the year is closing! kom and dole representing their new project, new jack nation feat. tyree cooper. the original comes up like an old-school-jack-tech-house monster! big groove and deluxe vocals of tyree cooper!! two strong remixes of new jack nation, one by tyree himself and number two is a production of new york house pioneers, mateo and matos. raw and dirty, blowing up on the floor like a bomb!! bonus track >theme< is a hommage to old jackhouse times likes housemaster boyz and trax recordings.

a good thing takes its time, thats what rico henschel aka sweetncandy must have thought. after a little off-time for the producer located in bielefeld (ger) and an ample re-orientation phase, he is back now in the electronic music game with fresh sound – a sound that really hits your ears and brain, which makes us even happier to present sweetncandys debut single >feel something, say something< on our deep circus label. besides >feel something, say something<, the record contains two more tracks: >dew drop motel< & >you and you<, both bringing you lots of deepness, groove and funk just like the title-track. enjoy

already receiving support from mark e, moodymanc, jazzanova, delano smith, mark farina, brothers vibe, scope, groove assassin and many more!

excellent 4 track vinyl with fantastic deep house. it gets started with >spring loop<, a track that looks to its name both for feeling and production sense. of course that sensuous vocal sample that gets drawn through it wouldnt do the job on its own, but rau knows that too and surrounds it with a warm, humid bassline and his always changing and snapping drums to keep it in the pocket for the whole 5 minutes. even though the groove on the a1 is already heavy for him, he goes deeper yet with >swearing (vinyl version)< that jamaican vocal is something so classic that we wont spoil it here, but the pumping house beat and piano stabs he winds around it give even more poignancy to the lyrical substance… we are pretty sure that by the time he finally echoes the vocal out late in the track there will be some hands in the air for this one

wonderful remastered reissue of nancy martins >cant believe<, a deep italo/proto house cut from back in 1982 recorded by canadian producer domenic sciullo. featuring an awesome phat analogue italo-style bassline, great sexy vocals and an irresistible chugging groove that gets the floor bouncing, it became an anthem in the underground clubs of chicago, championed by the likes of frankie knuckles and ron hardy. released here on the original neige records label which features the full length long version of this killer and also the highly useful instrumental version. essential

what a listening pleasure! arsen1computerklub is back with his vinyl ep wont you come. here he does himself proud and provides us with two well balanced but rootical tracks that have a lot to offer. emotionally rousing like a thrilling poem, wont you come is taking us charmingly sexy on a journey into spherical realms that you simply cannot escape from. pressing low-tuned basses together with sharp sound passages - almost hymnic - characterise the groove of his tracks. with bacteria we are allowed to sit back, relax and enjoy the seductive flow. the track bacteria with its driving pace, raw and unpolished, is indeed having its finger firmly on the pulse. labels friend kleinschmageraudio is transforming the track wont you come into a breathtaking remix being in fact a sly old dog. with its stomping rhythm the remix is whooshing into your auditory cannels. marvellous!

pocket is the snappy moniker of nyc based richard jankovich. as the principal creative mind behind the based electro-pop band burnside project he is not just well versed in top notch original productions but also is an indemand remixer (beck, radiohead, kristin hersh, of montreal, elk city, joanna newsom and many others). his debut release on tirk is the ever-so-tuneful >here in noiseville<. in this first single richard pairs up with steve kilbey from the australian rock band the church. steve adds his thoughtful and emotively melancholic vocal to the classic, quality synth-pop backing track. first up on the remix duties is sister-label nangs favourite german golden boy, justus köhncke. justus takes things on the dancefloor route, by adding bigger synths and some rushent-esque linn drum. both justus vocal and dub versions are included. next up, italian brioski fixates on the groove by adding his slap bass and driving groove.

psychemagik presents the second installment of four limited edition 12s in a series of edits from their forthcoming re-edits album healin feelins. first up on this new 12inch ass nation a slo-mo disco monster with dirty drums, nasty synths, super sweet female vox and an infectious guitar hook that begs for dancefloor control!the flip upskirt drops a filthy guitar and bassline hook, funky drums, dirty moog laserbeams and the kinda groove that takes you to places you know you shouldnt go, reminiscent of a reckless late night drive thru sleazy backstreets where insanity lurks just behind the curtains, come in and take a peek!

massive techno tunes by paul.groove and lars gustav a.k.a evensloped. played and supported by: xpansul, lado, mentalic, kaufmann&ferdinand, ascon bates

japanese recording artist ken wood aka k.w delivers his first ep featuring a re-edit of the blue magic classic >welcome to the club< made famous by another re-edit by chicago house legend ron hardy. flip for a cheeky funk-laden groove >girls in dub<.

norm talley tackles techno. yes, you heard that right… in spite of 3 tracks on the original transmissions that fell a little closer to what the heads would expect from a very reliable source, it was that first one that everyone begged for more of. we must agree that those 3 minutes were just a little of a tease, so here is the full 9-minute extended cut of “man on the moon” that all of you asked for, and what a trip it is! certainly funky broken-beat techno is a new look for norm, but it’s pretty obvious in all 9 of the minutes here that this is a man from detroit making the music he knows best. there’s a groove and a touch here that speaks of soul and experience… although you may find this one in the crates of some of the new school techno elite, it’s safe to say they couldn’t have made it the way norm talley did. even if you remember part one you may be surprised where he takes it, but we’re even more pleased to say that “earth 2 moon” beats it at its own game. this one made our necks snap and heads turn the very first time.

>hold on< has been given the inimitable touch of deep house master marcus worgull. a classically trained musician like kabuki, he has stripped the track and used jennas vocals stabs to create a exquisite minimal groove to stunning effects. rising drum and bass star eveson has been given >generation x< to remix, and his <ode to a rave generation< is exactly what it is: keeping the haunting synth loop throughout, slowing the track down to finally go back to a rave-friendly 140 bpm with vintage breaks, and making the most of paul st hilaires colourful voice. the result is as awesome as skreams recent >burning up<.

great mark e mixes of a new track by brazilian fusion/ jazz deities azymuth. side a is the west-midlands dj producer mark e’s full length mix that stretches out over 10 and a half gloriously produced chill-wave minutes. mark e brings this natural progression mix to late-night dance floor life drawing upon his wide-ranging influences – rave, early chicago house, industrial house & disco – to produce his quintessential steady-beat rolling loops. the free groove of azymuth combines perfectly with the steady-beat darkness of its re-creator as the hypnotic synths layer upon heavy percussive beats & interspersing breathless mengo vocals. side b is for the clubs, the djs and the heads. two mixes that bring the beats to the fore as the pounding bass surges faster and harder on these dub and beat journeys. limited to 500 copies!

supported by: ryan crosson, danny tenaglia, sian, sis, chaim, gabriel ananda, anjia schneider, kiki, dj ralf, lee burridge, delete, james zabiela, terry francis, edu imbernon, james lavelle, tom findlay - (groove armada), nick warren, shadow dancer, thomas schumacher, luca bacchetti, dave seaman, steve parry - (juice fm uk), jose maria ramon - (ibiza global radio)

wonderful remastered reissue of nancy martins >cant believe<, a deep italo/proto house cut from back in 1982 recorded by canadian producer domenic sciullo. featuring an awesome phat analogue italo-style bassline, great sexy vocals and an irresistible chugging groove that gets the floor bouncing, it became an anthem in the underground clubs of chicago, championed by the likes of frankie knuckles and ron hardy. released here on the original neige records label which features the full length long version of this killer and also the highly useful instrumental version. essential!

just like different fishes can be found in different grounds, also the acoustic tales of the micronaut take place in different regions of the emotional landscape: sometimes warm, sometimes fresh – sometimes calm and stagnant, sometimes lively and floating. and just like all the fishes are connected by the water surrounding them, also this album has its connecting element: a very individual and independent groove. this groove comes with a lot of surprises. for instance, when a guitar chord from the acoustic band atmosphere of gruen- dling suddenly gets tangled up in a loop and introduces an unexpected but coherent change into the direction of broken, electronic beats. or when the emotional world music elements of schleie mix up with exciting halfstep rhythms. sophi- sticated arrangements, unusual instrumentations and intense emotions- these are the main attributes of friedfisch . though the experimental character of this work does not really aim the dance floor, it still keeps connected to this place: two sensitive remixes by mollono.bass represent the upbeat for an entire series, being exclusively released on vinyl.

its time for a new debut on be as one, this time from a new young talent hailing from germany, sable sheep, recently signed on the imprint, that closes a successful year for the label. sable sheep delivers 3 tracks of high quality modern techno house, be it the infectious title track, painting my fur of the a side, who aims to be the new year anthem, the drum madness of crayon or the bouncing groove of muffin, this ep is likely to be the best recent releases from the label, taking modern grooves and mixing them into the classic and unique sounds we usually get from be as one.

tracks and remixes by eddie c, tornado wallace, alex agore and fantastic man on this kolour limited release, delivered on snow-white vinyl.

not only gideon is a friend but on top of that he is a seriously talented artist. gideon bouwens present here 2 slices of life stories, done with groove, love and passion. that’s seriously all we need. a true and honest ep for those of you out there who like their grooves to be irresistible.

supported by: alex agore, skipson, roman rauch, marquese, drei farbenhouse,ynks second ep for tenderpark approaches the subject tenderness with a lot of feel for musicality: on dana limes the young man from frankfurt combines gentle piano melodies with multi-faceted, powerful rhythms and a feld recording the musician has recorded in helsinki.park theme relies on an even more subtle feld recording from a small park in vienna, slows down the tempo and delights us with a deep black bass groove.and with the piano piece etude ynk not only proves his love for this instrument once more, but also shows compositional skills which reach way beyond the standards in the electronic music scene.

müller records, the berlin-based label, has a long and proud tradition of high-quality releases. it also has a strong track record in sniffing out up-and-coming talent - acts like berliner falk romstedt, alias hawkinson. his eps and remixes - check his former eps and remixes on muller records- hadalreadyshownthathewasequallyathome creating techno with a driving groove as he was knocking out strong and detailed synth melodies. now his first lp is being released on müller records. klaf , put succinctly, is an album that picks up the style of hawkinson s previous singles and runs with it. (or: that expands on the style of hawkinson s previous singles.) it s a story written by the dance floor, for the dance floor. hawkinson is processing the experiences and emotions he s had over the past few years both as consumer and dj and really shows us where his roots lie - in techno! the influence of detroit is all over this record and can be heard straight away, with strings, melodies and soulful surfaces drawing you in immediately.

so, i guess dj kaos is no stranger for anyone with the slitest interest in dance music. this fine gentleman have had records out on a number of quality labels,and have also done countless remixes.this ep – his first for discofil - show cases some of dj kaos most obscure favourites. a record for the clubs, a record for the trainspotters.dance, infidels, dance!

another epic seahawks voyage and this time theyre heading for the deep ocean of outer space. the results have been likened to the klfs chill out album performed by astroanuts. yep its that spacey but theres plenty of baked groove excursions along with the cosmic dinner jazz. imagine that instead of creating yah mo be there, michael mcdonald and james ingram hopped aboard a spaceship captained by sun ra and set the controls for alpha centauri. somewhere between the sea of tranquillity and the red heat of mars they find a party going on, klaus schulze is jamming with chic and peter frampton, kenny loggins is on bongos and the horn section from the doobie brothers are blowing soft and sweet but mike and jim have taken a whole lot of mind bending psychotropics and the music sounds like nothing theyve ever heard before. you are entering the seahawks universe, let your mind roam free. to ensure premium audio fidelity, the lp was mastered at abbey road and pressed at vinyl factory. as ever the artwork is beautiful and the edition is limited so get your skates on!

collaboration between pascal blanche, wojtek kutschke and lukas poloczek. who wants to make music coming deeply from their feelings, simply emotions. include in this ep we will find out two finest tracks titled money and reflecting love, both track comes on like the perfect theme to the arrival of autumn. the tones are intospective, the groove is solid and stablished. money ep will surprise listeners with careful arrangements, specific groove and atmosphere. they will attracting your mind, and push your body to the dancefloor! they definitely would give reasons to be curious about their current career. this time the remixing artists is our buddy tom ellis, who continues his search for the beauty on music. with this remix he delivers a highly hooking track, a beautiful piece of music we have heard in a while. sort of deep mix that plays the contrast between a great ryhtmique and melodic vocals.

next detroit - chicago bomb by echonomist. incl huge john dimas remix. like an aficionado of acid house echonomist returns with a stormer on third wave. this time his hyped chord progressions resolve into a groove that is more or less a reminiscence of the hacienda days. dans mon salon sings in black shades >i feel for you<, >to lock with a groove that i crave for<. a praise to jack, a praise to the way of jack. ultimately, >jack had a groove. and from this groove came the grooves of all grooves<… john dimas goes deeper underground with a simple primitive like pulsating groove. the insistent bass line tone (that slowly unravels an opening filter) clearly connects to old skool techniques of acid house masters.

music is about passion, not competition. in this spirit the something vinyl series continues again with another stl record in his diy do-what-you-wanna-do style, including 3 house tracks aswell as a astro-science thrilling farspace interlude and loop introductions. the ascetic elements on this ep are the result of an isolated one man musical universe, where the love and passion for sound research is perhaps the strongest driving force behind the machines output. a bit of squelchy mircowave-acid, some sunny analog sequences and someting that seems to come out of a lovely b-movie track, where humanoids moving death proof onto the dancefloor feeling addicted to the groove. something 18 is probably that kind of vinyl which can be enjoyed the most when the time has come to loose yourself and let things flow into the positive. this 12 inch comes in limited quantities of 500 copies and is dedicated to all believers of the something vibe.

komisch welcomes another new artist to its fold for its last release of 2011.p.god aka paolo dioguardi hails from naples in italy. still in his 20s, he makes music that belies his youth and neptune iv sounds like the work of a veteran producer. lead track approaching an ocean planet sees grainy, dense beats and hypntoic bleeps take the lead, but hovering above the arrangement, tethered to the reverberated, doubled up claps, are ghostly, eerie chords. the title track adopts a similar approach, with bursts of metallic percussion underscoring spacey pads as p.god drops a droning, tunneling rhythm track. finally, geometric shadows on iced surfaces sees the young producer opt for a deeper approach. this time the chords envelop a purring groove, but the same sense of understated menace is still audible thanks to the austere hats and bleak subsonic bass. capturing jeff millss estoeric side and the hypnotic magic of sleeparchive, neptune iv is a real techno journey!

having released his booty ep on mobilee earlier this year, ray okpara has quickly become a very popular member of the mobilee extended team. with releases in the past on labels such as oslo, get physical and especially on his own label ama recordings, he is well renowned for his signature style house groove and soulful flavour, and hes bringing his sound back to mobilee once more with his brand new ep blues me blues. coming as both an original and instrumental, blues me blues,is atmospheric and hypnotic, sprinkled with a beautiful vocal. meanwhile bounce to this will wake the dance floor out of any kind of hypnosis with its punching bass line and hip house vocal. lastly hideout is the deeper and calmer compliment, balancing out the whole ep and providing a satisfying amount of variety. enjoy!